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Musical revue provides pleasant diversion
By Lorraine Lucciola, Standard-Times
correspondent
You don't
have to travel to a real movie theater to go to the movies or to
cool off this summer, for that matter. Huh?
For the price of a single ticket, the
Little Theatre of Fall River's Firebarn production, "Blame It On The
Movies," offers a sampling of 30 years' worth of cinema attractions,
performed in a delightfully air-conditioned, comfortable theater.
This show is absolutely enjoyable
from start to finish. Under the artistic and musical direction of Jane
Fiore-Bigelow, a tight ensemble of accomplished actors with magnificent
musical ability maintain an easy ebb and flow in song, dance, drama and
comedy.
Each cast member
reveals a charming presence so completely that we find ourselves not
paying much attention to the program for guidance. Before long, we know
these people and can expect that "Man 1" or "Woman 2," for example, are
the most likely choices to best pull off a certain moment.
If outright physical comedy is your
thing, sit back and explode with laughter at the antics of Anthony DeRose.
This young man is diligent in his acting and singing efforts, but just
naturally funny. He is a visual delight in every way and capably tackles
the serious moments, too.
Jessalyn Sadler (Usherette) practically grew up at the Little Theatre of
Fall River, but she has certainly done much more than just become taller.
She is a performing perfectionist, seeing to it that every piece of
physical blocking and every note she sings is produced correctly. She
rises to the occasion on stage as a sort of ensemble mascot, comically
placed at the mercy of the others.
What you see is what you get in
Michael Xavier, who appears in this, his second show with Little Theatre.
He exudes straightforward innocence and gentleness, and gives us the
pleasure of his pure, resonant vocal ability.
Cheryl Field is charismatic in her
first appearance in a Little Theatre production. You will be moved, if not
mesmerized, by her husky, emotive alto range.
Maryann Goulart is a solid addition
to any cast. In this case, she can be "blamed" for nothing but the beauty
of her heartfelt vocal delivery, comedic timing and focused acting.
Jen Harris is a powerhouse
of talent and energy. Period! We immediately like her and are drawn
throughout to her versatility in song, expression and movement.
Cathy Taitz has only to smile, focus
her beautiful blue eyes on you, produce one lilting refrain with her
incredible soprano and we're happily hooked. Mrs. Taitz, warm and
soft-spoken, is one of those actor/singers who are just so "normal," on
stage and off. She knows she can sing and just accepts it as what she
calls, "a necessary part" of her life.
If you don't know Paul Allard and if
you've never heard him sing, you're in for a truly moving first
experience. Anytime is a good time to see him perform; he'll hypnotize you
with his rich baritone voice and his sensitive layering of lyrics and
vocal magnificence. He not only tells a story in a song, but also allows
us to know the serious professional actor and comedian behind the voice.
"Blame It On The Movies"
relies on creative musical vignettes and hilarious stage business to
highlight Warner Brothers, Paramount and Universal film classics,
including "Casablanca" (1942), "Hold That Ghost" (1941), "Sweater Girl"(
1942), and others. Upbeat offerings of tunes such as "As Time Goes By,"
"Tangerine," "I Don't Want to Walk Without You," and a Kalamazoo Medley,
to name a few, begin an evening of fun and nostalgia.
A Jungle Medley brings us comic
tuneful renditions of "The Road to Morocco" (1942), "Full Moon and Empty
Arms" (1942) and more. "Dream" (1945) "The Fleet's In" (1942), "The More I
See You" (1945), "You'll Never Know" (1943) and "The Best of Everything"
(1959) among others, are also presented.
The "Fox in Love" Medley scans the
romantic nostalgia of the '50s and '60s, including "April Love" (1957), "A
Certain Smile" (1958), "An Affair to Remember" (1957), "Love Is A Many
Splendored Thing" (1955), and others.
A cleverly wacky start to Act II
ushers us through the bold musical climate of the '60s and beyond
including "It's a Mad, Mad, Mad, Mad World," "Help," "Goldfinger" and
"What's New, Pussycat?"
"Oscar Losers" take center stage with "Let's Hear it For the Boy" (1984),
"Miss Celie's Blues" (1985) and "It Might Be You" from the trend-setting
film, "Tootsie" (1982).
The
cast deliberately demonstrates outrageously bad acting with down-home
whooping and hollering in the "Western Medley," including "On the Road
Again" ("Honeysuckle Rose," 1979), "Mule Train" ("Singing Guns," 1950),
"Blazing Saddles Theme" (1974) and others.
Strong ballads that evoke personal
memories and bring tears to the eyes usher in the conclusion of this
consummate musical trip down "movie lane."
Wonderful standards such as
"Eternally" (1952), "The Way We Were" (1973), "All The Way" (1957) and
"You Stepped Out of a Dream" (1941) sweep over us like gentle mist.
Mr. Allard's sensitive
rendition of "How Do You Keep the Music Playing?" (1982) and Mrs. Taitz's
beautiful phrasing in the lover's plea, "Can You Read My Mind" (1978),
close their solo moments.
Together, however, they are at their peak, forming a powerful and
compassionate stage presence when they team for a lovely duet of the
haunting, bittersweet message in "I Will Wait For You" (1965). Their vocal
compatibility and emotional phrasing causes that delicious silence in a
theater when two hearts and talents combine.
"Blame It On The Movies" is a simple,
relaxed, whimsical piece of summer theater. Ms. Fiore-Bigelow, assisted by
choreographer Jen Harris and stage manager, Kathy Castro, enable a cast of
just eight performers to deliver enough talent and superb vocal skill to
see us through another 30 years of cinematic memories!
"Blame It On the Movies" continues at
8 tonight through Saturday, and will be performed at 7 Sunday at The
Firebarn, 340 Prospect St. at Highland Avenue, Fall River. Tickets are $12
for the general public, $10 for seniors and students, and $5 for children
12 and under. Group discounts are available. For reservations and
information, call (508) 675-1852.
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