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Little Theatre of Fall River gives 'The King and I' royal
treatmentBy Lorraine Lucciola, Standard-Times correspondent
It's a beautiful thing
when all the pieces of a show lock neatly into place. Such is the case
with the Little Theatre of Fall River's production of Rogers and
Hammerstein's "The King and I."
Under the ambitious direction of
Jeff Belanger, the musical successfully comes together. All 134 cast
members and crew pull together to deliver an exciting evening of theater
at the Margaret L. Jackson Arts Center Theater at BCC.
Paul Allard, as the King of Siam,
humanizes his portrayal with delicate nuances of vulnerability and the
expected bravado befitting a supreme ruler. He gives us a stylized,
thinking King.
His
transitions are beautifully timed, especially in scenes with Anna (Tracy
Gendreau), where his harsh judgment is questioned and tested.
Mr. Allard holds our attention and
affection. Although the role of the King is not primarily a singing one,
Mr. Allard brings to the expositional tune, "A Puzzlement," his vocal
strength, and compassionately shares his thoughts about what it means to
lead.
Ms. Gendreau graces
the stage as Anna Leonowens, a governess sent to Siam to teach English and
modern social customs to a charming and vastly different culture.
Mrs. Gendreau's mere presence is
charismatic. She gives a picture-perfect performance. The immense vocal
talent she brings to the role is steady, sure and generous. She is a
master of lyrical phrasing.
The playing between Mr. Allard and
Mrs. Gendreau proceeds smoothly, like delicate clockwork. They compliment
each other in every way. These actors are at the top of their game.
Supporting players are
equally impressive in their performances. Maryann Goulart as Lady Thiang
("head wife"), is a solid addition to any production. In "The King and I,"
she exudes wisdom and grace as the subservient spouse.
Lady Thiang understands the
intricacies and dilemmas her husband faces as King. She is also keenly
aware of her place in her culture and in her personal relationship to him.
Mrs. Goulart demonstrates these qualities, carefully weaving this
character's knowledge into a rich fabric of acceptance, humor and
strength. Her delivery of "Something Wonderful" is one of the most
poignant moments in the show.
Anna's son, Louis, is played by
Andrew Correia with a maturity and poise not often found in 13-year-old
youngsters. Louis is well-mannered, articulate, yet sometimes ruffled by
foreign customs. Andrew gives us a sure interpretation of this character.
Jacob Miller as Prince
Chululongkorn gives a remarkably grounded performance. His consistent
demeanor makes us believe he is really a prince and heir to the Siamese
throne.
Chululongkorn and
Louis are, in reality, still just adolescent boys, regardless of their
social standings. This, too, is nicely conveyed in their scenes together.
Their reprise of "A Puzzlement" is one of those enjoyable and heartfelt
moments.
Tuptim, the
latest addition to the King's court, is played by Karen Faxon. Her
delivery is appropriately innocent and demure, especially in her musical
moments in "My Lord and Master" and "We Kiss in the Shadows" with LunTha
(John Ashley) Mr. Ashey is another steady player. He is a sincere and
gentle match for Ms. Faxon.
As the King's emissary, guardian,
and advisor, the Kralaholm, Azrin Rasp performs a role which requires more
speaking lines and blocking than we are used to seeing from this actor.
The result is a fine
change of pace. Mr. Rasp clearly conveys this character's dutiful respect
to the King and to the delicate balance hehimself exercises in the court.
Eighty-four Siamese
children scamper across the set as if the royal palace was their
playground. You will be amazed, however, at how graceful they are at
knowing and carrying out their movements. They are, of course, guided by a
crew of 23 wives, who not only fill the stage with color and fun, but also
diligently check the movements of the children.
Little Theatre's offering of "The
King and I" is a technically complete entity. It is truly the sum of its
creative parts, including artistic direction (Jeff Belanger with stage
manager, Kathy Castro), musical direction (Jane Fiore Bigelow),
choreography (Janice MacDonald) and elaborate and authentic costumes (Fran
Petisca and Tom Marcello).
Performances of "The King and I"
will be given at 8 tonight and 2 p.m. tomorrow in the Margaret Jackson
Arts Center at Bristol Community College, 333 Elsbree St., Fall River.
Tickets are $15, $12 for students and seniors and $5 for children 12 and
under. For reservation information, call (508) 675-1 852.
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