Originally, Sondheim and Weidman intended to explore the lives of assassins throughout history beginning with Brutus and Julius Caesar, but they soon realized this was far too broad a topic and decided to limit themselves to assassins who had attempted to kill the President of the United States. As the project developed, their task soon became clear--to dramatize the unpopular thesis that the most notorious killers in our culture are as much a product of that culture as the famous leaders they attempt to murder.
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